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	<title>Beat &#187; People</title>
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	<link>http://www.beatmagazine.co.uk</link>
	<description>culture, people, ideas</description>
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		<title>I Am Not Fish Guy</title>
		<link>http://www.beatmagazine.co.uk/i-am-not-fish-guy</link>
		<comments>http://www.beatmagazine.co.uk/i-am-not-fish-guy#comments</comments>
		<pubDate>Sat, 28 Aug 2010 14:14:58 +0000</pubDate>
		<dc:creator>Robert Hudson</dc:creator>
				<category><![CDATA[Columnists]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[bass fishing]]></category>
		<category><![CDATA[golden retriever]]></category>
		<category><![CDATA[japanese bluefin]]></category>
		<category><![CDATA[monkey glands]]></category>
		<category><![CDATA[robert hudson]]></category>
		<category><![CDATA[serge voronoff]]></category>
		<category><![CDATA[taimen]]></category>
		<category><![CDATA[The Monkey Gland cocktail]]></category>
		<category><![CDATA[tuna]]></category>
		<category><![CDATA[Vitamin T Smith]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=3868</guid>
		<description><![CDATA[I am not obsessed with fish.

I started not being obsessed in 2000, when I read that a tuna had sold in Tokyo for $50,000. My friends enjoyed the anecdote even though they secretly didn’t believe me. A few months later, another Japanese bluefin broke the $100,000 barrier. They believed me then.]]></description>
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		<title>Interview with Joe Atkins – Director of “If You Ever Get to Heaven”</title>
		<link>http://www.beatmagazine.co.uk/interview-with-joe-atkins-%e2%80%93-director-of-if-you-ever-get-to-heaven</link>
		<comments>http://www.beatmagazine.co.uk/interview-with-joe-atkins-%e2%80%93-director-of-if-you-ever-get-to-heaven#comments</comments>
		<pubDate>Sat, 28 Aug 2010 14:13:42 +0000</pubDate>
		<dc:creator>Becca Heaton</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[43pictures]]></category>
		<category><![CDATA[amanda atkins]]></category>
		<category><![CDATA[amanda garwood]]></category>
		<category><![CDATA[Claire Parker]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[fathers]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[if you ever get to heaven]]></category>
		<category><![CDATA[joe atkins]]></category>
		<category><![CDATA[parenting]]></category>
		<category><![CDATA[Richard Shelton]]></category>
		<category><![CDATA[Sam Kane]]></category>
		<category><![CDATA[Saul Jephcott]]></category>
		<category><![CDATA[the firestation]]></category>
		<category><![CDATA[uk film industry]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=3849</guid>
		<description><![CDATA[There’s a great joy in creation, it’s a great self-esteem booster and there’s all those things that build good people you know? And hopefully we’re just building good people, and if they put that on my headstone ‘Joe Atkins blah blah blah. Father, grew some good people’ enough said.
]]></description>
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		<title>Tuning up for Windsor Festival</title>
		<link>http://www.beatmagazine.co.uk/tuning-up-for-windsor-festival</link>
		<comments>http://www.beatmagazine.co.uk/tuning-up-for-windsor-festival#comments</comments>
		<pubDate>Sat, 28 Aug 2010 14:02:10 +0000</pubDate>
		<dc:creator>Hannah Masters-Waage</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Diana Galvydyte]]></category>
		<category><![CDATA[Jasha Heifetz International Competition]]></category>
		<category><![CDATA[martin denny]]></category>
		<category><![CDATA[Philharmonia Orchestra]]></category>
		<category><![CDATA[sinead o'carroll]]></category>
		<category><![CDATA[windsor festival]]></category>
		<category><![CDATA[Windsor Festival International String Competition]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=4013</guid>
		<description><![CDATA[As the stage is set and the violins tuned for this year’s Windsor Festival, Beat Magazine talks to last year’s winner of the string competition, Diana Galvydyte, about her musical loves, the future and what makes the Windsor Festival International String Competition so special.]]></description>
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		<title>A challenge with real heart</title>
		<link>http://www.beatmagazine.co.uk/a-challenge-with-real-heart</link>
		<comments>http://www.beatmagazine.co.uk/a-challenge-with-real-heart#comments</comments>
		<pubDate>Sat, 28 Aug 2010 14:01:51 +0000</pubDate>
		<dc:creator>Hannah Masters-Waage</dc:creator>
				<category><![CDATA[Columnists]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[adventure]]></category>
		<category><![CDATA[antarctic]]></category>
		<category><![CDATA[expedition]]></category>
		<category><![CDATA[exploration]]></category>
		<category><![CDATA[john wilton-davies]]></category>
		<category><![CDATA[justin miles]]></category>
		<category><![CDATA[last grest challenge]]></category>
		<category><![CDATA[polar adventure]]></category>
		<category><![CDATA[south pole]]></category>
		<category><![CDATA[unsupported polar trek]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=3833</guid>
		<description><![CDATA[Eleven years ago Justin Miles was in a near fatal car accident. Overnight he went from being a healthy, carefree 26-year-old fitness trainer to not being able to walk or talk. It would be a long road to wellness. Today, at 37 and fully recovered, Justin prepares for an Antarctic journey.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Bestsellers are so yesterday &#8211; how to write a phenomenon.</title>
		<link>http://www.beatmagazine.co.uk/bestsellers-are-so-yesterday-how-to-write-a-phenomenon</link>
		<comments>http://www.beatmagazine.co.uk/bestsellers-are-so-yesterday-how-to-write-a-phenomenon#comments</comments>
		<pubDate>Sat, 31 Jul 2010 15:31:28 +0000</pubDate>
		<dc:creator>Patrick Woodrow</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Ideas]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[Clive Cussler]]></category>
		<category><![CDATA[da vinci code]]></category>
		<category><![CDATA[dan brown]]></category>
		<category><![CDATA[James Patterson]]></category>
		<category><![CDATA[John Grisham]]></category>
		<category><![CDATA[Michael Crichton]]></category>
		<category><![CDATA[patrick woodrow]]></category>
		<category><![CDATA[Stephen King]]></category>
		<category><![CDATA[the girl with the dragon tattoo]]></category>
		<category><![CDATA[Wilbur Smith]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=3485</guid>
		<description><![CDATA[Ever read one of those “How To Write A Bestseller” books? No? Me neither. Nor do I intend to. I’m after bigger game, you see. I want to write a phenomenon. A freak. A bestseller that pulls down the shorts of other bestsellers and gives their chubby paper bottoms a palm-stinging spank.]]></description>
		<wfw:commentRss>http://www.beatmagazine.co.uk/bestsellers-are-so-yesterday-how-to-write-a-phenomenon/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Growing Up With Madonna</title>
		<link>http://www.beatmagazine.co.uk/growing-up-with-madonna</link>
		<comments>http://www.beatmagazine.co.uk/growing-up-with-madonna#comments</comments>
		<pubDate>Sat, 31 Jul 2010 15:29:29 +0000</pubDate>
		<dc:creator>Julie-Ann Corrigan</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[guy ritchie]]></category>
		<category><![CDATA[jesus luz]]></category>
		<category><![CDATA[julie-ann corrigan]]></category>
		<category><![CDATA[madonna]]></category>
		<category><![CDATA[sean penn]]></category>
		<category><![CDATA[sex]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=3483</guid>
		<description><![CDATA[In the early Eighties though, for teenagers like me the name evoked a paradoxical naughtiness; simply because of the imagery which it conjured up and the personality who had laid claim to it. Madonna stormed through the charts as unexpectedly as her persona exploded through my consciousness. 
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>‘Kick Out The Jams’ Conversation &#8211; Annabel Turpin and Dan Eastmond</title>
		<link>http://www.beatmagazine.co.uk/annabel-turpin-dan-eastmond-%e2%80%98kick-out-the-jams%e2%80%99-conversation</link>
		<comments>http://www.beatmagazine.co.uk/annabel-turpin-dan-eastmond-%e2%80%98kick-out-the-jams%e2%80%99-conversation#comments</comments>
		<pubDate>Fri, 30 Jul 2010 18:20:09 +0000</pubDate>
		<dc:creator>Dan Eastmond</dc:creator>
				<category><![CDATA[Ideas]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[accessibility]]></category>
		<category><![CDATA[annabel turpin]]></category>
		<category><![CDATA[arc]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[business]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[dan eastmond]]></category>
		<category><![CDATA[diversification]]></category>
		<category><![CDATA[fourth sector]]></category>
		<category><![CDATA[funding]]></category>
		<category><![CDATA[models]]></category>
		<category><![CDATA[profit]]></category>
		<category><![CDATA[sustainability]]></category>
		<category><![CDATA[the firestation centre for arts and culture]]></category>
		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=3533</guid>
		<description><![CDATA[Breadth of work is still really important and it’s therefore important that people still believe there is a beauty, for want of a better word, in art. But, we have all woken up. We are in a bigger world, we have to run ourselves better, we have to justify ourselves better and I think we have to articulate what we want to do better.]]></description>
		<wfw:commentRss>http://www.beatmagazine.co.uk/annabel-turpin-dan-eastmond-%e2%80%98kick-out-the-jams%e2%80%99-conversation/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Aliya Whiteley &#8211; The interview</title>
		<link>http://www.beatmagazine.co.uk/aliya-whiteley-the-interview</link>
		<comments>http://www.beatmagazine.co.uk/aliya-whiteley-the-interview#comments</comments>
		<pubDate>Thu, 15 Jul 2010 09:17:46 +0000</pubDate>
		<dc:creator>Melanie Gow</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[aliya whiteley]]></category>
		<category><![CDATA[book swap]]></category>
		<category><![CDATA[bookswap]]></category>
		<category><![CDATA[light reading]]></category>
		<category><![CDATA[mean mode median]]></category>
		<category><![CDATA[Neil Ayres]]></category>
		<category><![CDATA[three things about me]]></category>
		<category><![CDATA[Ushi Oni]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=3487</guid>
		<description><![CDATA[I want to believe that there’s a reason, a plan, for my existence. I’d like to be the culmination of a million years of a breeding program just to make someone as amazing as me. But I’m not really amazing, and neither are you. Or maybe you are. It all depends on how you judge amazingness, I suppose. And all my novels, short stories, poems, address that issue. The calculation of amazingness. ]]></description>
		<wfw:commentRss>http://www.beatmagazine.co.uk/aliya-whiteley-the-interview/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Why I Picked Dylan</title>
		<link>http://www.beatmagazine.co.uk/why-i-picked-dylan</link>
		<comments>http://www.beatmagazine.co.uk/why-i-picked-dylan#comments</comments>
		<pubDate>Sun, 27 Jun 2010 11:56:47 +0000</pubDate>
		<dc:creator>Sid Griffin</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[alt.bluegrass]]></category>
		<category><![CDATA[bluegrass]]></category>
		<category><![CDATA[bob dylan]]></category>
		<category><![CDATA[coal porters]]></category>
		<category><![CDATA[firestation]]></category>
		<category><![CDATA[long ryders]]></category>
		<category><![CDATA[shelter from the storm]]></category>
		<category><![CDATA[sid griffin]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=3275</guid>
		<description><![CDATA[Bob Dylan didn't go to his audience and beg to be accepted. They found him, and when they did they found him valid, and their word of mouth spread like a cultural flash flood.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>The Good, the Bad and the Bond: a fan&#8217;s eye view of Pierce Brosnan</title>
		<link>http://www.beatmagazine.co.uk/the-good-the-bad-and-the-bond-a-fans-eye-view-of-pierce-brosnan</link>
		<comments>http://www.beatmagazine.co.uk/the-good-the-bad-and-the-bond-a-fans-eye-view-of-pierce-brosnan#comments</comments>
		<pubDate>Sat, 26 Jun 2010 13:46:26 +0000</pubDate>
		<dc:creator>Marie Phillips</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[People]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[god's behaving badly]]></category>
		<category><![CDATA[marie phillips]]></category>
		<category><![CDATA[pierce brosnan]]></category>
		<category><![CDATA[will smith]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.beatmagazine.co.uk/?p=3027</guid>
		<description><![CDATA[Will Smith, the writer, comedian and star of The Thick of It, would frequently post pictures of Pierce Brosnan on Twitter, with captions such as the following, accompanying a shot of Brosnan painting in his garden with a hat slung behind his neck: You come home to find your new gardener painting your wife in the nude. Why, I asked him, is Pierce Brosnan so brilliant? “Because he's like a walking Rolex ad,” he said. “Because of the seriousness with which he'll put on a cufflink or pick up a shot glass. But also because he knows exactly how cool and ludicrous he is at the same time.”]]></description>
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